Навчальний посібник для студентів ос «Бакалавр» галузі знань 03 «Гуманітарні науки»



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Antecedents: 1950s to mid-1960s 
Heavy metal's quintessential guitar style, built around distortion-heavy 
riffs and power chords, traces its roots to early 1950s Memphis electric 
blues guitarists such as Joe Hill Louis, Willie Johnson, and particularly Pat 
Hare,
who captured a "grittier, nastier, more ferocious electric guitar sound" 
on records such as James Cotton's "Cotton Crop Blues" (1954);
the late 1950s 
instrumentals of Link Wray, particularly "Rumble" (1958);
the early 
1960s surf rock music of Dick Dale, including "Let's Go Trippin'" (1961) and 
"Misirlou" (1962);
and The Kingsmen's version of "Louie, Louie" (1963), 
which made it a garage rock standard.
Cream performing on the Dutch television program Fanclub in 1968 
However, the genre's direct lineage begins in the mid-1960s. American blues 
music was a major influence on the early British rockers of the era. Bands 
like The Rolling Stones and The Yardbirds developed blues rock by recording 
covers of many classic blues songs, often speeding up the tempos. As they 
experimented with the music, the UK blues-based bands—and the U.S. acts 
they influenced in turn—developed what would become the hallmarks of 
heavy metal, in particular, the loud, distorted guitar sound. The Kinks played 
a major role in popularising this sound with their 1964 hit "You Really Got 
Me".


In addition to The Kinks' Dave Davies, other guitarists such as The 
Who's Pete Townshend and The Yardbirds' Jeff Beck were experimenting 
with feedback.
Where the blues rock drumming style started out largely as 
simple shuffle beats on small kits, drummers began using a more muscular, 
complex, and amplified approach to match and be heard against the 
increasingly loud guitar. Vocalists similarly modified their technique and 
increased their reliance on amplification, often becoming more stylized and 
dramatic. In terms of sheer volume, especially in live performance, The 
Who's "bigger-louder-wall-of-Marshalls" approach was seminal.
The combination of blues rock with psychedelic rock formed much of the 
original basis for heavy metal. One of the most influential bands in forging 
the merger of genres was the British power trio Cream, who derived a 
massive, heavy sound from unison riffing between guitarist Eric Clapton and 
bassist Jack Bruce, as well as Ginger Baker's double bass drumming.
Their 
first two LPs, 
Fresh Cream
 (1966) and 
Disraeli Gears
 (1967), are regarded as 
essential prototypes for the future style. The Jimi Hendrix Experience's debut 
album, 
Are You Experienced
 (1967), was also highly influential. Hendrix's 
virtuosic technique would be emulated by many metal guitarists and the 
album's most successful single, "Purple Haze", is identified by some as the 
first heavy metal hit.
During the late sixties, many psychedelic singers such as Arthur 
Brown, began to create outlandish, theatrical and often macabre 
performances; which in itself became incredibly influential to many metal 
acts.
 Vanilla Fudge, whose first album also came out in 1967, has been called 
"one of the few American links between psychedelia and what soon became 
heavy metal".


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