Навчальний посібник для студентів ос «Бакалавр» галузі знань 03 «Гуманітарні науки»
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1960s By the early 1960s the British had developed a viable national music industry and began to produce adapted forms of American music in beat music and British blues which would be re-exported to America by bands such as The Beatles and Rolling Stones. This helped to make the dominant forms of popular music something of a shared Anglo-American project. The development of British blues rock helped revitalised rock music and led to the growing distinction between pop and rock music. In the mid-1960s, British bands were at the forefront in the creation of the hard rock genre. While pop music continued to dominate the singles charts, rock began to develop into diverse and creative sub-genres that characterised the form throughout the rest of the twentieth century. 1970s In the 1970s British musicians played a major part in developing the new forms of music that had emerged from blues rock towards the end of the 1960s, including folk rock and psychedelic rock. Several important and influential sub-genres were created in Britain in this period, by pursuing the possibilities of rock music, including electric folk and glam rock, a process that reached its apogee in the development of progressive rock and one of the most enduring sub-genres in heavy metal music. While jazz began to suffer a decline in popularity in this period, Britain began to be increasingly influenced by aspects of World music, including Jamaican music, resulting in new music scenes and sub-genres. In the middle years of the decade the influence of the pub rock and American punk rock movements led to the British intensification of punk, which swept away much of the existing landscape of popular music, replacing it with much more diverse new wave and post punk bands who mixed different forms of music and influences to dominate rock and pop music into the 1980s. 1980s Rock and pop music in the 1980s built on the post-punk and new wave movements, incorporating different sources of inspiration from sub- genres and what is now classed as World music in the shape of Jamaican and Indian music, as did British Jazz, as a series of black British musicians came to prominence, creating new fusions like Acid Jazz. It also explored the consequences of new technology and social change in the electronic music of synthpop. In the early years of the decade, while sub- genres like heavy metal music continued to develop separately, there was a considerable crossover between rock and more commercial popular music, with a large number of more "serious" bands, like The Police and UB40, 125 enjoying considerable single chart success. [14] The advent of MTV and cable video helped spur what has been seen as a Second British Invasion in the early years of the decade, with British bands enjoying more success in America than they had since the height of The Beatles' popularity in the 1960s. However, by the end of the decade there was a fragmentation, with many new forms of music and sub-cultures, including Hip Hop and House music, while the single charts were once again dominated by pop artists, now often associated with the Hi-NRG hit factory of Stock Aitken Waterman. The rise of the Indie rock scene was partly a response to this, and marked a shift away from the major music labels and towards the importance of local scenes like Madchester and sub-genres, like gothic rock. жүктеу/скачать 4,66 Mb. Достарыңызбен бөлісу:
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