Навчальний посібник для студентів ос «Бакалавр» галузі знань 03 «Гуманітарні науки»



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Early British rock and roll 
In the 1950s, Britain was well placed to receive American rock and roll music 
and culture.
It shared a common language, had been exposed to American 
culture through the stationing of troops in the country, and shared many social 
developments, including the emergence of distinct youth sub-cultures, which 
in Britain included the Teddy Boys.
 Trad Jazz became popular, and many of 
its musicians were influenced by related American styles, including Boogie 


127 
Woogie and the Blues.
The skiffle craze, led by Lonnie Donegan, utilised 
amateurish versions of American folk songs and encouraged many of the 
subsequent generation of rock and roll, folk, R&B and beat musicians to start 
performing.
At the same time British audiences were beginning to encounter 
American rock and roll, initially through films including 
Blackboard 
Jungle
 (1955) and 
Rock Around the Clock
 (1955).
Both films contained 
the Bill Haley & His Comets hit "Rock Around the Clock", which first 
entered the British charts in early 1955 - four months before it reached the US 
pop charts - topped the British charts later that year and again in 1956, and 
helped identify rock and roll with teenage delinquency.
[8]
 American rock and 
roll acts such as Elvis Presley, Little Richard and Buddy Holly thereafter 
became major forces in the British charts. 
The initial response of the British music industry was to attempt to 
produce copies of American records, recorded with session musicians and 
often fronted by teen idols.
British rock and rollers soon began to appear, 
including Wee Willie Harris and Tommy Steele.
The bland or wholly 
imitative form of much British rock and roll in this period meant that the 
American product remained dominant. However, in 1958 Britain produced its 
first "authentic" rock and roll song and star, when Cliff Richard reached 
number 2 in the charts with "Move It".
[9]
British impresario Larry 
Parnes fashioned young singers to the new trend, giving them corny names 
such as Billy Fury, Marty Wilde and Vince Eager. At the same time, TV 
shows such as 
Six-Five Special
 and 
Oh Boy!
, both produced by Jack Good, 
promoted the careers of British rock and rollers like Marty Wilde and Adam 
Faith.
Cliff Richard and his backing band The Shadows were the most 
successful home grown rock and roll based acts of the era. Other leading acts 
included Joe Brown, and Johnny Kidd & The Pirates, whose 1960 hit song 
"Shakin' All Over" became a rock and roll standard.
The first American rock 


and roll artist to hit British stages and appear on television was Gene 
Vincent in December 1959, soon joined on tour by his friend Eddie Cochran. 
The producer Joe Meek was the first to produce sizeable rock hits in England, 
culminating with The Tornados' instrumental "Telstar", which went to number 
one in both the UK and USA. 


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