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Transference Based on Resemblance (Similarity)
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Antrushina G. Lexicology
| Transference Based on Resemblance (Similarity)
This type of transference is also referred to as linguistic metaphor. A new meaning appears as a result of associating two objects (phenomena, qualities, etc.) due to their outward similarity. Box and stall, as should be clear from the explanations above, are examples of this type of transference. Other examples can be given in which transference is also based on the association of two physical objects. The noun eye, for instance, has for one of its meanings 151 "hole in the end of a needle" (cf. with the R. ушко иголки), which also developed through transference based on resemblance. A similar case is represented by the neck of a bottle. The noun drop (mostly in the plural form) has, in addition to its main meaning "a small particle of water or other liquid", the meanings: "ear-rings shaped as drops of water" (e. g. diamond drops) and "candy of the same shape" (e. g. mint drops). It is quite obvious that both these meanings are also based on resemblance. In the compound word snowdrop the meaning of the second constituent underwent the same shift of meaning (also, in bluebell). In general, metaphorical change of meaning is often observed in idiomatic compounds. The main meaning of the noun branch is "limb or subdivision of a tree or bush". On the basis of this meaning it developed several more. One of them is "a special field of science or art" (as in a branch of linguistics). This meaning brings us into the sphere of the abstract, and shows that in transference based on resemblance an association may be built not only between two physical objects, but also between a concrete object and an abstract concept. The noun bar from the original meaning barrier developed a figurative meaning realised in such contexts as social bars, colour bar, racial bar. Here, again, as in the abstract meaning of branch, a concrete object is associated with an abstract concept. The noun star on the basis of the meaning "heavenly body" developed the meaning "famous actor or actress". Nowadays the meaning has considerably widened its range, and the word is applied not only to screen idols (as it was at first), but, also, to popular sportsmen (e. g. football, stars), pop-singers, etc. Of course, the first use of the word star to denote a popular actor must have been humorous or ironical: the mental picture created by the use of the word in this new meaning was 152 a kind of semi-god surrounded by the bright rays of his glory. Yet, very soon the ironical colouring was lost, and, furthermore the association with the original meaning considerably weakened and is gradually erased. The meanings formed through this type of transference are frequently found in the informal strata of the vocabulary, especially in slang (see Ch. 1). A red-headed boy is almost certain to be nicknamed carrot or ginger by his schoolmates, and the one who is given to spying and sneaking gets the derogatory nickname of rat. Both these' meanings are metaphorical, though, of course, the children using them are quite unconscious of this fact. The slang meanings of words such as nut, onion (= head), saucers (= eyes), hoofs (== feet) and very many others were all formed by transference based on resemblance. Transference Based on Contiguity Another term for this type of transference is linguistic metonymy. The association is based upon subtle psychological links between different objects and phenomena, sometimes traced and identified with much difficulty. The two objects may be associated together because they often appear in common situations, and so the image of one is easily accompanied by the image of the other; or they may be associated on the principle of cause and effect, of common function, of some material and an object which is made of it, etc. Let us consider some cases of transference based on contiguity. You will notice that they are of different kinds. The Old English adjective glad meant "bright, shining" (it was applied to the sun, to gold and precious stones, to shining armour, etc.). The later (and more modern) meaning "joyful" developed on the basis of the 153 usual association (which is reflected in most languages) of light with joy (cf. with the R. светлое настроение; светло на душе). The meaning of the adjective sad in Old English was "satisfied with food" (cf. with the R. сыт(ый) which is a word of the same Indo-European root). Later this meaning developed a connotation of a greater intensity of quality and came to mean "oversatisfied with food; having eaten too much". Thus, the meaning of the adjective sad developed a negative evaluative connotation and now described not a happy state of satisfaction but, on the contrary, the physical unease and discomfort of a person who has had too much to eat. The next shift of meaning was to transform the description of physical discomfort into one of spiritual discontent because these two states often go together. It was from this prosaic source that the modern meaning of sad "melancholy", "sorrowful" developed, and the adjective describes now a purely emotional state. The two previous meanings ("satisfied with food" and "having eaten too much") were ousted from the semantic structure of the word long ago. The foot of a bed is the place where the feet rest when one lies in the bed, but the foot of a mountain got its name by another association: the foot of a mountain is its lowest part, so that the association here is founded on common position. By the arms of an arm-chair we mean the place where the arms lie when one is setting in the chair, so that the type of association here is the same as in the foot of a bed. The leg of a bed (table, chair, etc.), though, is the part which serves as a support, the original meaning being "the leg of a man or animal". The association that lies behind this development of meaning is the common function: a piece of furniture is supported by its legs just as living beings are supported by theirs. 154 The meaning of the noun hand realised in the context hand of a clock (watch) originates from the main meaning of this noun "part of human body". It also developed due to the association of the common function: the hand of a clock points to the figures on the face of the clock, and one of the functions of human hand is also that of pointing to things. Another meaning of hand realised in such contexts as factory hands, farm hands is based on another kind of association: strong, skilful hands are the most important feature that is required of a person engaged in physical labour (cf. with the R. рабочие руки). The adjective dull (see the scheme of its semantic structure in Ch. 7) developed its meaning "not clear or bright" (as in a dull green colour; dull light; dull shapes) on the basis of the former meaning "deficient in eyesight", and its meaning "not loud or distinct" (as in dull sounds) on the basis of the older meaning "deficient in hearing". The association here was obviously that of cause and effect: to a person with weak eyesight all colours appear pale, and all shapes blurred; to a person with deficient hearing all sounds are indistinct. The main (and oldest registered) meaning of the noun board was "a flat and thin piece of wood; a wooden plank". On the basis of this meaning developed the meaning "table" which is now archaic. The association which underlay this semantic shift was that of the material and the object made from it: a wooden plank (or several planks) is an essential part of any table. This type of association is often found with nouns denoting clothes: e. g. a taffeta ("dress made of taffeta"); a mink ("mink coat"), a jersy ("knitted shirt or sweater"). Meanings produced through transference based on contiguity sometimes originate from geographical or proper names. China in the sense of "dishes made of porcelain" originated from the name of the country which was believed to be the birthplace of porcelain. 155 жүктеу/скачать 0,63 Mb. Достарыңызбен бөлісу:
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