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Antrushina G. Lexicology
| To show one's colours — to betray one's real character or intentions. The allusion is, once more, to a ship showing the flag of its country at the mast.
To strike one's colours — to surrender, give in, admit one is beaten. The metaphor refers to a ship's hauling down its flag (sign of surrender). To weather (to ride out) the storm — to overcome difficulties; to have courageously stood against misfortunes. To bow to the storm — to give in, to acknowledge one's defeat. Three sheets in(to) the wind (sl.) — very drunk. Half seas over (sl.) — drunk. Though, as has been said, direct associations with seafaring in all these idioms have been severed, distant memories of the sea romance and adventure still linger in some of them. The faint sound of the surf can still be heard in such phrases as to ride out the storm or breakers ahead! (= Take care! Danger!). Such idioms as to sail under false colours, to nail one's colours to the mast (~ to be true to one's convictions, to fight for them openly) bring to mind the distant past of pirate brigs, sea battles and great discoveries of new lands. It is true, though, that a foreigner is more apt to be struck by the colourfulness of the direct meaning of an idiom where a native speaker sees only its transferred meaning, the original associations being almost fully forgotten. And yet, when we Russians use or hear the idiom первая ласточка, doesn't a dim image of the little bird flash before our mind, though, of course, we re- 244 ally mean something quite different? When we say на воре и шапка горит, are we entirely free from the picture built up by the direct meanings of the words? If it were really so and all the direct associations of the idioms had been entirely erased, phraseology would not constitute one of the language's main expressive resources. Its expressiveness and wealth of colour largely — if not solely — depend on the ability of an idiom to create two images at once: that of a ship safely coming out of the storm — and that of a man overcoming his troubles and difficulties (to weather/ride out the storm); that of a ship's crew desperately fighting against a pirate brig — and that of a man courageously standing for his views and convictions (to nail one's colours to the mast), The thematic principle of classifying phraseological units has real merit but it does not take into consideration the linguistic characteristic features of the phraseological units. The considerable contribution made by Russian scholars in phraseological research cannot be exaggerated. We have already mentioned the great contribution made by Academician V. V. Vinogradov to this branch of linguistic science. The classification system of phraseological units devised by this prominent scholar is considered by some linguists of today to be outdated, and yet its value is beyond doubt because it was the first classification system which was based on the semantic principle. It goes without saying that semantic characteristics are of immense importance in phraseological units. It is also well known that in modern research they are often sadly ignored. That is why any attempt at studying the semantic aspect of phraseological units should be appreciated. Vinogradov's classification system is founded on the degree of semantic cohesion between the components of a phraseological unit. Units with a partially trans- 245 ferred meaning show the weakest cohesion between their components. The more distant the meaning of a phraseological unit from the current meaning of its constituent parts, the greater is its degree of semantic cohesion. Accordingly, Vinogradov classifies phraseological units into three classes: phraseological combinations, unities and fusions (R. фразеологические сочетания, единства и сращения). [9] Phraseological combinations are word-groups with a partially changed meaning. They may be said to be clearly motivated, that is, the meaning of the unit can be easily deduced from the meanings of its constituents. E. g. to be at one's wits' end, to be good at something, to be a good hand at something, to have a bite, to come off a poor second, to come to a sticky end (coll.), to look a sight (coll.), to take something for granted, to stick to one's word, to stick at nothing, gospel truth, bosom friends. Phraseological unities are word-groups with a completely changed meaning, that is, the meaning of the unit does not correspond to the meanings of its constituent parts. They are motivated units or, putting it another way, the meaning of the whole unit can be deduced from the meanings of the constituent parts; the metaphor, on which the shift of meaning is based, is clear and transparent. E. g. to stick to one's guns (~ to be true to one's views or convictions. The image is that of a gunner or guncrew who do not desert their guns even if a battle seems lost); to sit on the fence (~ in discussion, politics, etc. refrain from committing oneself to either side); to catch/clutch at a straw/straws (~ when in extreme danger, avail oneself of even the slightest chance of rescue); to lose one's head (~ to be at a loss what to do; to be out of one's mind); to lose one's heart to smb. (~ to fall in love); to lock the stable door after the horse is stolen (~ to take precautions too late, when 246 the mischief is done); to look a gift horse in the mouth (= to examine a present too critically; to find fault with something one gained without effort); to ride the high horse (~ to behave in a superior, haughty, overbearing way. The image is that of a person mounted on a horse so high that he looks down on others); the last drop/straw (the final culminating circumstance that makes a situation unendurable); a big bug/pot, sl. (a person of importance); a fish out of water (a person situated uncomfortably outside his usual or proper environment). Phraseological fusions are word-groups with a completely changed meaning but, in contrast to the unities, they are demotivated, that is, their meaning cannot be deduced from the meanings of the constituent parts; the metaphor, on which the shift of meaning was based, has lost its clarity and is obscure. E. g. to come a cropper (to come to disaster); neck and crop (entirely, altogether, thoroughly, as in: He was thrown out neck and crop. She severed all relations with them neck and crop.); at sixes and sevens (in confusion or in disagreement); to set one's cap at smb. (to try and attract a man; spoken about girls and women. The image, which is now obscure, may have been either that of a child trying to catch a butterfly with his cap or of a girl putting on a pretty cap so as to attract a certain person. In Vanity Fair: "Be careful, Joe, that girl is setting her cap at you."); to leave smb. in the lurch (to abandon a friend when he is in trouble); to show the white feather (to betray one's cowardice. The allusion was originally to cock fighting. A white feather in a cock's plumage denoted a bad fighter); to dance attendance on smb. (to try and please or attract smb.; to show exaggerated attention to smb.). It is obvious that this classification system does not take into account the structural characteristics of phraseological units. On the other hand, the border-line 247 separating unities from fusions is vague and even subjective. One and the same phraseological unit may appear motivated to one person (and therefore be labelled as a unity) and demotivated to another (and be regarded as a fusion). The more profound one's command of the language and one's knowledge of its history, the fewer fusions one is likely to discover in it. The structural principle of classifying phraseological units is based on their ability to perform the same syntactical functions as words. In the traditional structural approach, the following principal groups of phraseological units are distinguishable. A. Verbal. E. g. to run for one's (dear) life, to get (win) the upper hand, to talk through one's hat, to make a song and dance about something, to sit pretty (Amer. sl.). B. Substantive. E. g. dog's life, cat-and-dog life, calf love, white lie, tall order, birds of a feather, birds of passage, red tape, brown study. C. Adjectival. E. g. high and mighty, spick and span, brand new, safe and sound. In this group the so-called comparative word-groups are particularly expressive and sometimes amusing in their unanticipated and capricious associations: (as) cool as a cucumber, (as) nervous as a cat, (as) weak as a kitten, (as) good as gold (usu. spoken about children), (as) pretty as a picture, as large as life, (as) slippery as an eel, (as) thick as thieves, (as) drunk as an owl (sl.), (as) mad as a hatter/a hare in March. D. Adverbial. E. g. high and low (as in They searched for him high and low), by hook or by crook (as in She decided that, by hook or by crook, she must marry him), for love or money (as in He came to the conclusion that a really good job couldn't be found for love or money), in cold blood (as in The crime was said to have been committed in cold blood), in the dead of night, between the devil and the deep sea (in a situation in which danger threatens whatever course of action 248 one takes), to the bitter end (as in to fight to the bitter end), by a long chalk (as in It is not the same thing, by a long chalk). жүктеу/скачать 0,63 Mb. Достарыңызбен бөлісу:
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